Wheels - solid wood helped: notebook - an online journal Culture and Children's Literature
Lecture at the conference on Design for Children held at Bezalel in -6.5.13, touching a variety of fields: industrial design of physical products very like that can pull and bite through virtual worlds in which every child is represented by an avatar (a figure representing the human in virtual) to design Bookshelf (software, not physical) of the children of Israel by the labor movement.
To some extent there was something diffuse choice not to bind the thematic lectures under the seats. And yet, as the day progressed, it seemed pilgrim this broad view allows you to upload an insight into the target pilgrim audience rather than medium or another. The following list will try to summarize the contents of some of the lectures as they are, and maybe the occasional wake Note has more on the nature of the discussion and insights horizontal issues. Below is the first part of the coverage of the seminar:
The conference opened illustrator and author Rutu Modan, pilgrim whose book Children "dining in the Queen" Eisner award nominee this year. Through examination of the work on the book tried to deal with the question "Who I paint when I paint the children?" Modan presented sketches of various stages and shared with the audience a choice to illustrate the comic book ("comics do not have to choose, you can illustrate every detail"), doubts about the design characters ("If I was an illustrator for the Queen really figure of Elizabeth I in danger of getting involved with her") pilgrim and elections derived from the butcher ("like the right pace to tell different parts joke").
Nina, the heroine of the story, Modan designed according to old friends, a girl who is also a typical old and playful pilgrim and original. She was asked to pose for Modan ungraciously eats a plate of spaghetti, and a series of photographs inspired directly fed wild scene of Nina at Buckingham Palace. Modan spoke of her desire to create a world Fig. child can feel that he can enter into it; This is exactly pilgrim how it will look if one day he will be invited to dinner with the Queen. Only at the end of the lecture when Modan question in the title of her lecture, "Who I paint when I paint the children?" And said that the answer lies in the fact that same lecture, that she graduated to bear at the moment ("includes jokes and uncontrollable mannerisms"), is held just a week before a Jewish kindergarten to children aged five.
After the lecture unit Fig. (remember the first conference series of conferences shared the Visual pilgrim Communication Department pilgrim and the Department of History and Theory, was dedicated to the illustration of children's books) rose to speak to Dr. margin Gilutz teaches in the Department of Culture boy at Tel Aviv University and the Interdisciplinary Center in Herzliya. Gilutz doctoral Developmental Psychology from Columbia University and experience of five - ten years the connection between children and digital media. heading lecture Gilutz was "Why touch interfaces and digital are successful in infants?" and she was the first of three lectures discussing current technological revolution that cultural discourse in general, and that of children in particular.
Actually touch interfaces, entered the market only four years ago without thinking specifically about children, succeeded in toddlers many times more than your home computer for example. The last survey published in the United - States showed that 60% of children experienced touch screens. When it come to test the relationship between the interface and the person has to check three parameters: the hardware, software and users. In the case of hardware can be configured to great innovation tool 'Multi - Touch, "that is a touch of a few fingers in several areas on the screen and the immediate response of the interface. Apple's pilgrim design pilgrim demanded a new type of operating and invented new gestures to control the interface. Children born parallel to this technology have not experienced it as something new that adapt to, but just another one of the countless skills they acquire in recognizing the world around them.
In this case, the software pilgrim application is actually produced by and for the new touch technology. Even before special applications designed for toddlers, they seem to find great interest in adult applications, such as painting or piano app. By definition, the users claimed Gilutz first encounter unlike adult mouse connected to the computer, kids are not afraid to experiment on that completely new to them. Also the new technology they relate freely and without awareness that it will happen or gentle. Children learn quickly that they are trying, they are not afraid to delete or destroy, this is part of their empirically finding them all.
Unlike a computer that's on the table of a mother and have him climb on a stool and play touch mouse hand - eye complicated, the tablet is small and portable, accessible pilgrim and fun and yes there is more frequent use. Applications on a small screen (like a smartphone) forced software developers and designers to give up many details, leaving only what is necessary - which greatly simplified interfaces, and in many cases improved them. Aspect of child development right touch interface, pilgrim explained Gilutz that it allows the child independence in operating interface seeing again and again to his favorite video thus fulfill his need for repetition. The interface provides immediate feedback and as such it facilitates learning. Today there are special tablets that contain content only suitable for children, and indeed all children are careful content developers to expand their activities also touch devices. Old boy - Contemporary expect to find the content he consumes in a book or on television interactive interface on the touch screen.
Lecture by Alona Abt, CEO of the "Hop" discussed the change in shaping the content of the channel since its establishment before two - ten years to the present. Process in an attempt to establish a quality oasis in the television pilgrim landscape for kids tried from Hope! "To create an inviting environment for children and especially fit children up to first grade. So although the witch might very funny to seven year olds, it remains pilgrim outside the channel if it scares the three year old. same environment should be free of extraneous noise and a clear legal - dark outlines that enclose the characters simple pilgrim background, diminished Details . together
Lecture at the conference on Design for Children held at Bezalel in -6.5.13, touching a variety of fields: industrial design of physical products very like that can pull and bite through virtual worlds in which every child is represented by an avatar (a figure representing the human in virtual) to design Bookshelf (software, not physical) of the children of Israel by the labor movement.
To some extent there was something diffuse choice not to bind the thematic lectures under the seats. And yet, as the day progressed, it seemed pilgrim this broad view allows you to upload an insight into the target pilgrim audience rather than medium or another. The following list will try to summarize the contents of some of the lectures as they are, and maybe the occasional wake Note has more on the nature of the discussion and insights horizontal issues. Below is the first part of the coverage of the seminar:
The conference opened illustrator and author Rutu Modan, pilgrim whose book Children "dining in the Queen" Eisner award nominee this year. Through examination of the work on the book tried to deal with the question "Who I paint when I paint the children?" Modan presented sketches of various stages and shared with the audience a choice to illustrate the comic book ("comics do not have to choose, you can illustrate every detail"), doubts about the design characters ("If I was an illustrator for the Queen really figure of Elizabeth I in danger of getting involved with her") pilgrim and elections derived from the butcher ("like the right pace to tell different parts joke").
Nina, the heroine of the story, Modan designed according to old friends, a girl who is also a typical old and playful pilgrim and original. She was asked to pose for Modan ungraciously eats a plate of spaghetti, and a series of photographs inspired directly fed wild scene of Nina at Buckingham Palace. Modan spoke of her desire to create a world Fig. child can feel that he can enter into it; This is exactly pilgrim how it will look if one day he will be invited to dinner with the Queen. Only at the end of the lecture when Modan question in the title of her lecture, "Who I paint when I paint the children?" And said that the answer lies in the fact that same lecture, that she graduated to bear at the moment ("includes jokes and uncontrollable mannerisms"), is held just a week before a Jewish kindergarten to children aged five.
After the lecture unit Fig. (remember the first conference series of conferences shared the Visual pilgrim Communication Department pilgrim and the Department of History and Theory, was dedicated to the illustration of children's books) rose to speak to Dr. margin Gilutz teaches in the Department of Culture boy at Tel Aviv University and the Interdisciplinary Center in Herzliya. Gilutz doctoral Developmental Psychology from Columbia University and experience of five - ten years the connection between children and digital media. heading lecture Gilutz was "Why touch interfaces and digital are successful in infants?" and she was the first of three lectures discussing current technological revolution that cultural discourse in general, and that of children in particular.
Actually touch interfaces, entered the market only four years ago without thinking specifically about children, succeeded in toddlers many times more than your home computer for example. The last survey published in the United - States showed that 60% of children experienced touch screens. When it come to test the relationship between the interface and the person has to check three parameters: the hardware, software and users. In the case of hardware can be configured to great innovation tool 'Multi - Touch, "that is a touch of a few fingers in several areas on the screen and the immediate response of the interface. Apple's pilgrim design pilgrim demanded a new type of operating and invented new gestures to control the interface. Children born parallel to this technology have not experienced it as something new that adapt to, but just another one of the countless skills they acquire in recognizing the world around them.
In this case, the software pilgrim application is actually produced by and for the new touch technology. Even before special applications designed for toddlers, they seem to find great interest in adult applications, such as painting or piano app. By definition, the users claimed Gilutz first encounter unlike adult mouse connected to the computer, kids are not afraid to experiment on that completely new to them. Also the new technology they relate freely and without awareness that it will happen or gentle. Children learn quickly that they are trying, they are not afraid to delete or destroy, this is part of their empirically finding them all.
Unlike a computer that's on the table of a mother and have him climb on a stool and play touch mouse hand - eye complicated, the tablet is small and portable, accessible pilgrim and fun and yes there is more frequent use. Applications on a small screen (like a smartphone) forced software developers and designers to give up many details, leaving only what is necessary - which greatly simplified interfaces, and in many cases improved them. Aspect of child development right touch interface, pilgrim explained Gilutz that it allows the child independence in operating interface seeing again and again to his favorite video thus fulfill his need for repetition. The interface provides immediate feedback and as such it facilitates learning. Today there are special tablets that contain content only suitable for children, and indeed all children are careful content developers to expand their activities also touch devices. Old boy - Contemporary expect to find the content he consumes in a book or on television interactive interface on the touch screen.
Lecture by Alona Abt, CEO of the "Hop" discussed the change in shaping the content of the channel since its establishment before two - ten years to the present. Process in an attempt to establish a quality oasis in the television pilgrim landscape for kids tried from Hope! "To create an inviting environment for children and especially fit children up to first grade. So although the witch might very funny to seven year olds, it remains pilgrim outside the channel if it scares the three year old. same environment should be free of extraneous noise and a clear legal - dark outlines that enclose the characters simple pilgrim background, diminished Details . together
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